The pace is bound to throw off the Michael Bay crowd, but Drive tells its straight-forward story through a visual and aural cataclysm of slickness that should be appreciated. Ryan Gosling administers a litre of cool to his glare and a bottle of sedatives to his throat, preferring to chew half his lines into his toothpick rather than use actual words. Most of the time, it plays to the film’s style, but there are the odd moments where it just looks bizarre. However, it’s not as bizarre-looking as Ron Perlman. Seriously, it’s like they spliced Will Ferrell with a gorilla.
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